Good Will Hunting

Film Information

Good Will Hunting is a 1997 American psychological drama film directed by Gus Van Sant, and written by Ben Affleck and Matt Damon. It stars Robin Williams, Damon, Affleck, Stellan Skarsgård and Minnie Driver.

All information in this section came from Wikipedia.

Clip Information

In this clip, Will, a young man, attends his first psychotherapy session with Dr. Sean Maguire. They discuss painting and Dr. Maguire’s wife.

Abbrev Film Clip Start Clip Stop Duration
GoodWill Good Will Hunting (1997) 00:39:23.200 00:41:53.200 150
Characteristic Value
Format MPEG-4
File Size 48.3 MiB
Duration 150.025
Frame Rate 23.976
Video Width 1920
Video Height 1040
Video BitRate 2.6 MB/s
Audio Channels 2
Audio SamplingRate 48000
Audio BitRate 128.7 kB/s

Subtitles

The following wordcloud shows the words used in this clip, scaled by number of occurrences and colored by sentiment (orange = negative, green = positive, grey = neutral or unsure). Note that the words have been stemmed and lemmatized and stopwords have been removed.

The table below shows all subtitles in this clip with the start and stop time of each subtitle’s appearance in seconds.

Start End Subtitle
0.000 2.260 Hey, you know you'd be better off shoving that cigarette up your ass. It'd probably be healthier for you.
2.398 6.525 - Yeah, I know. It really gets in the way of my yoga. - You work out, huh?
6.652 9.356 - What, you lift? - Yeah.
9.487 11.480 - Uh, Nautilus? - No, free weights.
11.614 13.191 - Oh, really? - Yeah. - Free weights, huh?
13.324 15.115 - Yeah, big time. - Yeah? - Just like that.
15.242 17.531 - What do you bench? - 285. What do you bench?
19.954 22.030 You paint that?
22.165 25.580 Yeah. You paint? Do you sculpt?
25.709 27.536 - No. - Do you like art?
30.130 32.039 Do you like music?
32.173 34.212 This is a real piece of shit.
34.342 36.215 Oh. Well, tell me what you really think.
36.343 39.676 Uh, just, uh, the linear and impressionistic mix...
39.805 42.046 makes a very muddled composition.
42.182 45.965 It's also a Winslow Homer rip-off, except you got whitey, uh, rowin' the boat there.
46.102 47.975 Well, it's art, Monet. It wasn't very good.
48.103 50.724 - That's not really what concerns me though. - What concerns you?
50.856 53.263 - Just the colouring. - You know what the real bitch of it is?
53.399 55.392 It's paint-by-number.
55.526 57.981 Is it colour-by-number? Because the colours are fascinating to me.
58.112 59.689 - Aren't they, really? What about that? - You bet.
59.821 62.739 I think you're about one step away from cuttin' your fuckin' ear off.
62.866 64.941 - Really? - Oh, yeah.
65.076 68.824 Think I should move to the south of France, change my name to Vincent?
68.954 70.781 You ever heard the sayin', "any port in a storm"?
70.914 73.831 - Yeah. - Yeah. Maybe that means you.
73.958 75.334 In what way?
75.460 78.745 - Uh, maybe you're in the middle of a storm, a big fuckin' storm. - Yeah, maybe.
78.879 81.880 The sky's fallin' on your head. The waves are crashin' over your little boat.
82.007 84.213 The oars are about to snap.
84.342 86.002 You just piss in you pants. You're cryin' for the harbour.
86.135 88.424 So maybe you do what you gotta do to get out.
88.554 90.879 You know, maybe you became a psychologist.
91.014 94.597 Bingo. That's it. Let me do my job now. You start with me. Come on.
96.978 100.726 - Maybe you married the wrong woman. - Maybe you should watch your mouth!
102.482 104.807 Watch it right there, chief, all right?
107.403 109.277 Ah.
113.408 115.531 Mmm, that's it, isn't it?
115.660 117.902 You married the wrong woman.
119.455 123.784 What happened? What, did she leave you?
123.917 126.206 Was she, you know, banging some other guy?
128.296 131.711 If you ever disrespect my wife again, I will end you.
131.841 133.880 I will fuckin' end you.
134.009 135.800 Got that, chief?
137.971 141.802 - Time's up. - Yeah.

Holistic Ratings

A total of 76 participants watched this film clip and then provided holistic ratings on how the entire clip made them feel. These holistic ratings were completed using five Positive Affect items (i.e., alert, determined, enthusiastic, excited, inspired) and five Negative Affect items (i.e., afraid, distressed, nervous, scared, upset), each rated on an ordinal scale from 0 to 4. The plot below shows the

Dynamic Ratings

A total of 76 participants watched this film clip and used the CARMA software to provide continuous (i.e., second-by-second) ratings of how it made them feel. These continuous ratings were made on a single emotional valence scale ranging from -4 (very negative) to 4 (very positive).

Time Series

We can plot the distribution of all valence ratings per second of the film clip to get a sense of how its emotional tone changes over time. The solid black line represents the mean of all ratings and the yellow, green, and purple ribbons represent the central 50%, 70%, and 90% of the ratings, respectively.

Inter-Rater Reliability

A Bayesian generalizability study was used to decompose the variance in ratings of this video clip into the following components: timepoint variance (in average ratings of each second, across raters), rater variance (in average ratings from each rater, across seconds), and residual variance (including second-by-rater interactions and measurement error). The lower and upper columns in the table below represent the boundaries of the 95% equal-tail credible interval. Note that we dropped the first 10 seconds of each clip (as rater “warmup” time).

Component Term Estimate Lower Upper Percent
Rater Variance 1.111 0.858 1.645 0.417
Timepoint Variance 0.613 0.495 0.802 0.230
Residual Variance 0.942 0.917 0.969 0.353

From these variance components, we can estimate inter-rater reliability of the ratings. There are many formulations of the two-way intraclass correlation (ICC), but the most relevant to our purposes here is the balanced average-measures consistency formulation or ICC(C,k).

Term Estimate Lower Upper Raters Error
ICC(C,k) 0.981 0.976 0.985 76 Relative

Below, we can also visualize the posterior distributions of each of these parameters. Values with higher posterior density are more probable.